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Greco-Roman mosaic glass bowl
Greco-Roman, probably Eastern Mediterranean,
ca.
Period: 1st century
B.C.
Dimensions: 1 ¼ in.
(3.2 cm) high, 5 3/16 in. (13.1 cm) in diameter This beautiful Greco-Roman mosaic glass bowl, molded out of canes
of varying shades of rose pink, deep blue and amethyst with golden
yellow and white accents, was acquired by Ali and Hicham Aboutaam for
their Geneva antiquities gallery Phoenix Ancient Art, S.A. Virtually
intact, the bowl is a superb example of mosaic glass, a technique that
first developed in areas of the Eastern Mediterranean during the 3rd
century B.C. >> more
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Black Chlorite Mythological
Figure (“Scar-Face”)
Period: Fara (Southern Iran), circa 2200 B.C.
Dimensions: 4.25 in (10.8 cm) high This extraordinary chlorite figure is most likely a representation
of the “scarred man” or Narbemann: a Near Eastern demon
often represented as a scaly man with a large, inlaid gash across his
face. Although this particular piece is smooth-skinned, the striking
scar complete with ivory inlay immediately identifies him as one of
the largest and most elegant examples of this type. >> more
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Greek Red-Figure Lekythos with Nike
Period: Attic, ca. 490 B.C.
Dimensions: height 33.2 cm, diameter at shoulder
10.8 cm This graceful lekythos depicts a winged Nike flying
to the right and bearing a thymiaterion (incense burner) in her left
hand. Her right hand lifts the pleats of her chiton, which flows behind,
and she wears >> more
Bibliography: Antiquities from the
Collection of Christos G. Bastis, Verlag Philipp von Zabern, New York:
1987.
Provenance: Acquired in New York in 1984.
Ex-collection of Christos G. Bastis |
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Egyptian Bowl with
a Fish
Period: Egyptian, 18th Dynasty CA. 1540-1292 B.C.
Dimensions: 12 cm diameter, by 5 cm height Provenance: Given by Sir
Flinders Petrie to his friend Luxmore Newcombe, Sub-Librarian
at University College London 1903-22, Chief Librarian 1922-26. Friends
and supporters of the British School of Archaeology in Egypt were
often given surplus small antiquities by Petrie from his excavations.
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Roman Bracelet in the Shape of a Snake
Period: Roman, 1st century A.D.
Dimension: Diameter: 8.1 cm
This superb solid gold bracelet is in perfect condition.
The bracelet was made in the shape of a snake with the body curled
around in a single spiral. It is open and modeled in such a way that
one end represents the head with the mouth open, while the other end
depicts the undulating tail >> more
Bibliography: For the Egyptian pieces
that are the closest in resemblance, see: A Passion for Antiquities:
Ancient Art from the Collection of B. and L. Fleischman, 1994, p. 327,
#170 (the same example can be found in J.Ogden, Ancient Jewelry, 1992,
p. 8, fig.1).
H. Landenius in Medelhavsmuseet Bulletin 13, 1978, p. 37-40.
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Assyrian Relief of a Courtier
Period: Assyrian, ca. 883-859 B.C.
Dimensions: 61 cm x 42 cm
The relief is a fragment from a wall from Room B, the
Throne Room of the North-West Palace of Ashurnasirpal II at Nimrud
.
Other reliefs from Room B are in the Ashmolean Museum
, Oxford , the British Museum , London , the Iraq Museum , Baghdad
, The Princeton University Art Museum, New Jersey, the Prince of Wales
Museum of Western India, Bombay , and the Staaliche Kunstsammlungen,
Dresden.
Provenance: Acquired by a member of
the Ludlow family in the latter part of the 19th century. Passed by
marriage to another English family in 1907.
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Pair of Gold Eagle Earrings
Period:
Greek, Hellenistic Circa 3rd century B.C.
Dimension: 3.8 cm long
Powerful eagles with outstretched wings grasping thunderbolts
are the central element to these earrings. The eagles bodies are composed
of dense granulation and a filigree circle for the eye. The outstretched
wings are outlined with filigree and granulation. Rosettes are found
above each bird, with smaller flowers below, and each are flanked by
beaded tassels
Published: Rosenberg,
M. Geschichte der Goldschmiedekunst auf technischer Grundlage, Abteilung: Granulation
(Neudr. 1910-1925) 1922.
Provenance: Marc Rosenberg,
Karlsruhe
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Plastic Lekythos in the Shape of a Hare
Period:
East Greek, circa late 7th century B.C.
Dimension: Height: 22.3 cm
This playful vase is meticulously modeled in the shape of a
dead hare. Its
head and ears are thrown back with the mouth open, revealing sharp incisors. The
forepaws extend forward, and the underbelly of the hare is a pale yellow. The
painted detail is painstaking and extensive: the all-over brown stippling to
indicate the fur, the white-dotted brown rims of the ears with their red interiors,
and the red and brown disk eyes with incised and brown-painted borders. This
seemingly simple vase is the finest example of its kind, fully imbued with
the sensitivity and skill of the East Greek potters.
Exhibited: University Museum , University of Pennsylvania ,
loan 1959.
Bibliography: Buranelli, The Etruscans, Legacy of
a Lost Civilization from the Vatican Museums, 1992, no.85.
Provenance: Münzen und Medaillen, Basel
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A Schist Oryx Head
Period: Egyptian, 18th Dynasty CA. 1540-1292 B.C.
Dimension: 3.3 cm
The head of an oryx, probably from a cosmetic dish,
in the form of a bound figure of the animal, with finely detailed features
and straight, ribbed horns.
The head shows the utmost care and skill in its graceful,
delicate modeling of the animal's features.
Bibliography: Louvre, Objets de toilette
gyptiennes , nos. 69 ( Egypt's Golden Age , no. 254) and 72.
Provenance: The Thetis Foundation,
Geneva
Les
Animaux dans L'antiquité de 3000 av. J.C. à 1000 ap.
J.-C
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Roman Marble Eros
Period: Roman, ca. 2nd half
of 2nd century A.D.
Dimensions: 50.8 cm
This superb sculpture is a Roman copy of a famous
fourth century Greek statue type known as Eros of Centocelle. He stands
with his weight on his left leg, and the remains of his bow and quiver
his right side, his hair falling in long wavy locks onto the shoulders
and his chest. There are traces of red paint on his hair locks. In
turn, there are two small rectangular mortises on the back for the
attachment of wings
Published: Mario A. Del Chiaro, Greek
Art in Private Collections of Southern California , Santa Barbara,
1966, no.13, illus.
Provenance: Santa Barbara Museum of
Art, Wright S. Ludington, acquired in the middle part of the last century.
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Idoles
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